Alexandra Fuller's second memoir,
Scribbling the Cat: Travels with an African Soldier, has not received the accolades that were showered over her first book,
Don't Let's Go to the Dogs Tonight. In fact, most critics have called
Scribbling a disappointment. Is this glum reaction inevitable considering Fuller's first book was so often heralded as the best nonfiction book of the year? (2002)
I have been wondering about this as I've turned the pages of
Scribbling today. I'll be honest here;
Don't Let's Go to the Dogs was my favorite read in 2002 and is certainly one of the most intriguing memoirs I have ever read. To experience, however vicariously, the life of a child in a white British family in the former Rhodesia is to enter a world that is in every way different than the one I inhabit. Simply put, this book was a mind-blowing read.
So, given that background, I did not have high expectations of
Scribbling the Cat because I knew it was unlikely that Fuller (or any writer) could surpass the wonders of that first book. The intense, painterly descriptions that I loved most in
Don't Let's Go to the Dogs are plentiful in
Scribbling. On the other hand, just as critics have claimed, Fuller's relationship with K., the white African soldier, is an unresolved, messy aspect of the book. Yet her explorations of themes of war, trauma, loss, and transformation more than compensate.
Fuller's problems with
Scribbling could have been corrected if she had delayed publication and consulted with the writers she trusts. The pressure to publish quickly after a huge success is extremely difficult for a new writer to resist. The phenomenon has limited the potential of too many books and harmed the careers of their authors.